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The compression knee gets harder and faster the more you hit the threshold. Compression sits at around a 4:1 ratio while limiting is inf:1. The final control is a compress / limit switch that alters the unit’s ratio and reactive compression curves. A large meter lets you see how many dB of gain reduction you are applying to your signal, and the reaction time. A gain knob then allows you to seat the results in your mix-that’s all there is to it. ![]() ![]() ![]() A peak reduction (threshold) knob clamps down on incoming transients, reducing their level. With just three controls, the LA-2A was and is one of the easiest compressors to use.
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